One does not need to tweek keyboard velocity curves. It feels good with light, medium, heavy settings (whatever you like you don't loose control somewhere between keys and sound). I cannot say the same about Ivory American Concert D, which sounds decent for pop music when you listen. Then you buy the software, sit down and start playing: it does not feel as good (I have spent some hours trying to find the right keyboard touch settings/velocity curve for my controller. I didn't succeed yet.). The ultimate test from my point of view is trying a piano by playing classical music. If classical music sounds good/and feels good to play on a piano, that piano is worth considering for any type of music. It is a cathartic experience for me to play any kind of music on Ravenscroft (of course including classical music). I use VI Labs Ravenscroft 275 piano software with a Muse Receptor Trio, a Roland RD-700SX keyboard, a Roland RPU-3 piano pedal (very important because of what one can do with una corda, half pedaling and such - just look at Vladimir Horowitz's feet, at how he uses pedals and listen! - than try that on Ravensroft, because you can now do the same), and an Audio-Technica ATH-M50 headphone. I am the happy owner of a real piano that is a joy to play. Some reviewers at Keyboard magazine / Sound on sound always mention that a software piano could never feel the way a concert grand does. I would question this statement. Because here is VI Labs Ravenscroft.
True Keys American delivers the majestic sound of the Steinway D© nine foot concert grand. With powerful bass, robust attack and deep sustaining overtones, this versatile instrument can rise above a full orchestra or stand out in a busy mix. It also has a dark delicate side, mellow and rich, especially when played with the stereo ribbon Side mic. This grand has a classic American sound and is a staple of stages and studios worldwide.
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True Keys Italian is the largest piano of this collection and has the brightest sound. Often crowned the World's best piano, the Fazioli F308© provides the sound for our Italian grand. At a staggering 10 feet 2 inches in length, the instrument has immense power with long sustains and rich harmonics. The Una Corda pedal is particularly expressive letting you go from whisper soft to a thunderous fortissimo instantly, with even voicing across the entire register.
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True Keys German puts you at the keys of the superb Bechstein© semi-concert grand and has the shortest length of the True Keys pianos at about 7 feet 5 inches. These pianos are known for their precision voicing, clear bell-like tones and deep bass. Smaller in scale than a 9 foot concert grand, it can be less obtrusive in a mix but still cut through when aggressively played. It's also most suitable of the True keys pianos for soft lyrical playing.
May 18, 2021 but I take great interest and pride in detail, such as that provided for the Ravenscroft 275. Nothing will ever take the place of touching, interacting with a fine, acoustic instrument, but one can only try to find VI(s) which come a close as possible. Ivory II Italian is current fav, for many situations, playing from Roland KR577 digi-piano. Ravenscroft 275 $ 199.00. MusicLab ProjectSAM Pulsar Audio Reason Studios Relab Slate Digital Sonnox Soundtoys Steven Slate Drums Synchro Arts Synthogy UVI VI Labs.